The tragedy of Geatano Donizetti’s Mary Stuart, which had its Houston Grand Opera premiere last month, is that there’s so much drama, intrigue and passion in the real story behind rival queens Elizabeth I of England and Mary, Queen of Scots [...]
Anthony Brandt thinks Houston is a composer’s city. Brandt, a professor of composition at Rice University’s Shepherd School of Music and Artistic Director of Musiqa, a collective of five composers, knows what he is talking about. [...]
Ars Lyrica Houston is adding a twist to its usual what’s-old-is-new-again programming: In the midst of the neglected gems that it has in store for next season, Houston’s baroque ensemble will throw in some works that actually are new.
We are back for our epic annual public chit chat, a tiny snapshot of the thousand dishy emails that fly across the inter tubes discussing what we just saw, missed, didn’t understand or flat out loved.
It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
Back in pre-pandemic 2020, B. Moore Dance company founder Bridget Moore signed on as choreographer for the Second Thought Theatre’s production of Lynn Nottage’s play Mlima's Tale.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.