Carmina Burana always packs a wallop. This time, Carl Orff’s paean to frolic and fate delivered a double whammy: Not only did the San Antonio Symphony and Chorus lay into Orff’s lusty themes and booming sonorities with gusto, but the live-wire acoustics in the orchestra's home turned all that into a visceral experience....
Laura A. L. Wellen interviews Suzanne Weaver, newly appointed Brown Foundation Curator of Modern and Contemporary Art at San Antonio Museum of Art, about the distinct offerings of the museum collection, her Texas roots, and raising the bar for collaboration and creativity. ...
When we watch the walls of a house go up, we are aware of an implicit narrative in the skeletal studs, a uniformity that allows us to imagine a cozy life being lived inside their orderly framework. ...
Fun is a quality sadly lacking in much contemporary art, but Brazilian artist Rivane Neuenschwander showers viewers with giant colored discs of confetti at the Linda Pace Foundation’s SPACE....
The timing couldn’t have been better. Retired dancer Willy Shives had been working his way up the chain of command at Joffrey Ballet and was looking for his first job as an artistic director when the position came open at Ballet San Antonio. ...
A young Chinese artist’s reaction to Western contemporary art, a nod to tradition and the use of cheap labor for massive production of dubious quality are all touched on by Cola Project, one of the most compelling works in “28 Chinese” on view through Jan. 3 at the San Antonio Museum of Art. ...
