When Kelli Estes planned her first season for Houston’s Lone Star Lyric Theater, the company she founded back in 2006, she was actually in living New York City and not Houston.
In celebration of the American sculptor Joel Shapiro, the Nasher Sculpture Center, which holds six examples of his work in their permanent collection, has unveiled a new piece specifically designed for the central gallery on the ground floor.
The River Oaks Chamber Orchestra isn’t planning a Fourth of July concert, but maybe it should. The tradition-busting group has declared its independence -- from the classical hit parade. Scan the group’s programs for 2016-17, and you’ll see nothing that rank-and-file concertgoers would find familiar.
The blocks between 900 and 1100 Main Street are traveled by many Houstonians on their daily commute, but they constitute an inconspicuous corner of Houston.
On the heels of Houston’s lauded FotoFest, another photography showcase is gaining momentum in the Southwest and beyond. Beginning this month and continuing through September, PhotoSummer, organized by core partners University of New Mexico Art Museum and 516 ARTS in Albuquerque, along with CENTER in Santa Fe, heads into its second year of exhibitions and public programs.
Jonah Bokaer folded space in two in one sweeping motion. OK, so maybe he used a super long piece of paper to do that. Not everything that moves in a Bokaer concert is human.
For nearly three decades, the Emmanuel and Helen Olshan Texas Music Festival (TMF) has courted the best and brightest pre-professional classical musicians from around the country and abroad.
Little monsters look at us from ink, mold, paint, and collage. These monsters look familiar. Not just as historical markers to marginalized existences, which they are, but as real, flesh and blood women.