Degas: A New Vision will end its only U.S. presentation at the Museum of Fine Arts, Houston on Jan. 16, meaning its departure will roughly coincide with the fifth anniversary of director Gary Tinterow’s arrival from New York’s Metropolitan Museum of Art, where he spent the bulk of an impressive curatorial career.
The title, Funnyman, is a little misleading. Sure, this tightly-structured work by Philadelphia playwright Bruce Graham has its chortles, but at heart it’s a story about the seriousness of comedy, and those who create it.
Matthew Barney and Jonathan Bepler’s River of Fundament is, according to them, a “nontraditional opera with a series of one-time-only live acts performed across the American landscape.”
Lee Nguyen from the City of Austin gave the latest work at ZACH Theatre a thumbs-up review. But it wasn’t exactly for the company’s latest drama, comedy or musical.