Dance fans have another chance to see Dark Circles Contemporary Dance artistic director Joshua L. Peugh’s The Rite of Spring on April 29-May 1 at Erma Lowe Hall Studio Theatre in Fort Worth.
It surprises me that there’s a box of Slavic literature, translated or un-translated, in the small town of Victoria to begin with, but this is what Dalkey Archive Press, one of America’s most venerable independent publishers, has brought with them on their move to Texas.
Eric Whitacre is proof that there are advantages to breaking some rules – his path to becoming one of the most venerable choral composers has been anything but routine.
Those living on the sidelines of traditional (read: white/heteronormative/etc) in the United States must constantly struggle to maintain their histories.
The morning after seeing Stark Naked Theatre’s new production of Edward Albee’s classic marriage horror story Who’s Afraid of Virginia Woolf? (through March 26), I woke up exhausted, with a mild headache, dry mouth and a stomach churning with anxiety (a.k.a a hangover).
I always expect to be dazzled when I walk into a Houston Ballet rehearsal, but watching this talented company sing as well as dance raised the thrill factor.
Your Healing Is Killing Me, written and performed by award-winning New York and San Antonio playwright Virginia Grise and making its world premiere as part of the MECA Performing Arts 2016 season on March 4-5, seems less like the performance manifesto of its subtitle and more like a poetry manifesto, maybe even an epic poetry manifesto.