Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
The Dallas-based artist Alicia Eggert, along with collaborator James Akers, recently opened a captivating new work at Houston’s Color Factory, a pop-up space that focuses on “instagrammable,” site-specific installations.
Think back to your first visit to an art museum as a child. Before entering, it’s likely that the first words out of the mouth of your chaperone were, “Don’t touch anything.”
“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks.
Six-year-old Jan Lucca’s facial expressions mirror the activity in front of him: Staring intently at the stage, his eyes widen at exciting moments. He clasps his hands together against his chest during the suspenseful ones. He swings his legs from the chair and his mom smiles from the seat next to him. It’s his first opera.
Group Acorde wants people talking about art—theirs or otherwise. The interdisciplinary, Houston-based quartet—dancers Lindsey McGill and Roberta Paixão Cortes, bassist Thomas Helton and saxophonist Seth Paynter—are in the middle of their fourth season.
Two years ago, the Blanton Museum of Art received a gift of more than 350 prints from collector Dr. Gilberto Cárdenas, who holds one of the largest private collections of Latinx art.
From Shakespeare to SciFi, actors often return to a beloved character to find new life in the role. Yet, very few of these revisits hold such a unique offstage story like acclaimed international film, television and stage actor Sasson Gabay.