The phrase “art studio tour” doesn’t typically bring to mind mass crowds of visitors, city-wide organizational partnerships, or heated discussions about escalating real estate prices.
“I’ve tried to make an intentional shift in the work in the past few years,” Marcelyn McNeil tells me, recently. When we talk, her exhibition of new paintings, Slow Eddy, is about to open at Conduit Gallery (Oct. 19-Nov. 23).
Coming of Broadway age in the shadow of the Hamilton juggernaut, Dear Evan Hansen, the seemingly unassuming musical about an unpopular high school kid with social anxiety, managed to turn its misfit story into a multiple Tony® Award winner.
An orchestral score for a ballet wouldn’t ordinarily pop up in an art museum’s storage room. But the one in San Antonio’s McNay Art Museum, a score of Erik Satie’s surrealist Parade, was no ordinary example.
When New York native Jessica Green took the position of artistic director of Houston Cinema Arts Festival this year, she decided the best way to program the sprawling arts-based film festival for Houston was to let this enigma of a city become her muse.
Boone, gearing up for his solo exhibition at Contemporary Arts Museum Houston, The Highway Hex (Nov. 9-Feb. 17), has concocted a body of work inspired in its way by both Leatherface and Stanley Kubrick.
Aperio opened its 2019-2020 season in September riding the Onda Nueva (New Wave), relishing the characteristic blurring of boundaries that makes music from Latin America so rich and vital.
Now a new exhibition, Victorian Radicals: From the Pre-Raphaelites to the Arts & Crafts Movement, brings their masterworks and stories to the San Antonio Museum of Art (Oct. 11, 2019-Jan. 5, 2020).