“She played with a fine fury all evening, and her bow was a rod and a staff for the comfort of Nespoli,” lauded music critic Hubert Roussel, writing for the Houston Gargoyle.
Imagine listening to Liszt in your living room. Whether it’s Mozart or Brahms or more contemporary offerings, house concerts have become so popular in Texas that you can find one happening most weekends throughout the state.
At the MFAH’s Houston Iranian Film Festival, now in its 26th year, the seats are always full. The festival, established by the MFAH and Rice Cinema, runs Jan. 18-26, with screenings at both venues and at Asia Society Texas Center.
In five sections, Contesting Modernity surveys twenty years of work in Venezuela by numerous artists, some of whom a Houston audience will already know from curator Mari Carmen Ramírez’s extensive catalog of groundbreaking, research-driven exhibitions at the MFAH.
It was a big year on the Houston theater landscape. Most nights of the week ACTX’s trusted Houston theater writer Tarra Gaines can be found in a theater seat. Gaines visited with ACTX editor Nancy Wozny to sort out what happened on Houston stages in 2018.
Twenty-five years ago, to the month, Theatre Under the Stars world-premiered Disney’s Beauty and the Beast in its pre-Broadway run and introduced this independent Belle to the stage. As a grand holiday offering (through Dec. 23), TUTS now revives the show for its 50th anniversary season.
The great grand dame of hate-becomes-love stories Jane Austen’s Pride and Prejudice always held a current of social commentary beneath the surface of the glorious romance.
The story of Nicolas Moufarrege is a sad one. Lost to the AIDS crisis in New York City at the age of 36, the artist had only been in practice for a decade and undoubtedly had much left to produce. Curated by Dean Daderko and on view at the Contemporary Arts Museum Houston through Feb. 17, 2019, Nicolas Moufarrege: Recognize My Sign is the first solo museum exhibition for Moufarrege.
Fingers hover over lips and breasts, hair cascades over and around faces, kisses are blown and shared, pleasure is given and received: Ghada Amer’s ceramic sculptures shiver with ecstatic encounter.