When I walk into Audrya Flores’s home studio in San Antonio, I find a wood-paneled room, with a carefully curated selection of objects—needlework, prints, collages, fabric pieces—paired with found things—a turtle shell, stones, a preserved bat, potted plants.
The donated collection includes over 500 photographs, 75 of which will be on view Feb. 22 – May 12 in Capturing the Moment: Photographs from the Marie Brenner and Ernest Pomerantz Collection at SAMA alongside key works from the Museum’s existing photography collection.
Thanks to Welch’s love for the music, he and the company are about to unveil their first staging of the mythology-based work, which premiered in a luxe Paris Opera Ballet production in 1876. Sylvia, the tale of a shepherd’s love for a forest nymph, is the first of four full-length story ballets that Houston Ballet has in store from now through June. The coming ones include the other great beneficiary of Delibes’ gifts, Coppélia.
This is French Room Salon and Culture Jack, two distinctly different series of art events, both gifted to Dallas towards the end of 2018. Although varied in format and feel, both series bring people together in close proximity, where they are subject to new art and ideas on a monthly basis.
When the Dallas City Performance Hall (now Moody Performance Hall) opened its doors to the public in 2012, it also opened the doors of opportunity to a number of mid-sized arts groups in need of a right-sized venue.
And so begins the story of the Dallas Chamber Symphony.
I visited ceramicist Angel Oloshove at her studio in the Houston Heights to talk about her process, what’s on the horizon, and how she got to where she is.
The 2013 Hunting Art Prize winner describes the entire universe of a body or an object with subtle tones and pencil marks on translucent Mylar—a surface so delicate that one swipe of his hand could smudge it irreparably. In this way it is reminiscent of Buddhist sand mandalas, an effort of time and “intense study,” as the artist puts it.
“She played with a fine fury all evening, and her bow was a rod and a staff for the comfort of Nespoli,” lauded music critic Hubert Roussel, writing for the Houston Gargoyle.
Imagine listening to Liszt in your living room. Whether it’s Mozart or Brahms or more contemporary offerings, house concerts have become so popular in Texas that you can find one happening most weekends throughout the state.