Houston gets a welcome blast of Robbins’ legendary work when Theatre Under The Stars (TUTS) presents Jerome Robbins’ Broadway, a sweeping anthology of the American choreographer’s work all on one night.
Before the word “Dior” became synonymous with haute couture, before the House of Dior became the global fashion giant and icon of style, Christian Dior, the pioneering designer, ran art galleries and organized exhibitions that featured artists such as Picasso, Matisse, Alexander Calder, Jean Cocteau, Dalí and Duchamp.
In late June of 1969, police raided the Stonewall Inn, a prominent gay bar in the Greenwich Village neighborhood of New York City. This raid sparked a series of demonstrations by an outraged, oppressed community, often referred to as the Stonewall Riots or Stonewall Uprising, that are seen as the precursor to the Gay liberation movement and the continued fight for LGBT rights.
In 1971, artist Chris Burden vanished for three days. No one knew where he had gone, and for those three days the artist questioned his own existence and what his disappearance meant.
Lovie Olivia is an artist living in, and hailing from, Houston, TX. I have visited this studio before, when I wrote about Olivia’s partner, Preetika Rajgariah.
Don’t hold your breath waiting for Houston’s River Oaks Chamber Orchestra (ROCO) to anoint a conductor as its music director. Being player-driven is in ROCO’s DNA.
Cast your brain on the ocean of pop culture references for “perpetual worker” and you may come up with workaholic TV dads, the Energizer Bunny, or even Sisyphus, doomed to an eternity of useless boulder-pushing.
Five years ago, Arts and Culture Texas profiled a group of millennial theater artists striving to find creative roles for themselves offstage and to bring an innovative and fresh perspective onto Texas stages. Since then, two of those “Next Gen Leaders,” Brandon Weinbrenner, artistic associate at the Alley Theatre, and Mitchell Greco, artistic associate at Stages Repertory Theatre, have not only steadily risen to directorial prominence in Houston, they’ve also managed to carve out a personal life and marry each other.
In 2016, Claudia Vásquez Gómez, an artist from Chile, was especially struck by the way border police attached tires to the backs of their vehicles, dragging them across the desert.