When the Rolston String Quartet first flashed onto Chamber Music Houston’s radar screen, the young ensemble was quartet-in-residence at Rice University’s Shepherd School of Music.
Ana Fernandez planned to major in history before the smells emanating from art classes at the University of Texas at San Antonio drew her in a different direction.
The arts communities of Dallas—like many art communities across the country—are prone to tribalism, which plays out across disciplines, geographies, ethnicities, career stages, education levels, politics, and incomes.
Since we (Nancy Wozny & Tarra Gaines) have an ongoing conversation on what defines an immersive performance, we decided to share some of our adventures and to make some of our endless road trip banter public.
“Tragedy is the cure for anxiety,” says Stephanie Wittels Wachs of the unwanted and much too costly life and death lesson grief taught her after her comedy prodigy brother Harris Wittels died of a heroin overdose in 2015.
Two exhibitions dedicated to the life and works of the 20th-century Spanish Modernist sculptor Eduardo Chillida (1924-2002) are on view at the Meadows Museum through June 3.
For classically-trained string players, the traditional route to making a living as a professional musician is fairly narrow: win a job in a major orchestra, find a full-time teaching position, or gig like there is no tomorrow.
History may be written by the victors, as the saying goes, but fundamentally history is written by the writers and the landscape of history etched into images by the cartographers, though they are perhaps paid by those victors.
Every year at Easter time, Houston transforms into a hub of international dance, thanks to the entrepreneurial spirit and artistic vision of Nancy Henderek, founder of the Dance Salad Festival.