During the past 10 years the Dallas Museum of Art has hit many important milestones signaling its emergence as an encyclopedic institution and a player on the international stage.
Mortal, an exhibition of work by Kiki Smith at the Dallas Contemporary, on view through Dec. 17, spans the last 10 years of the artist’s output and includes the installation of Pilgrim, a set of thirty industrial steel windowpanes of mouth-blown stained glass.
Day for Night, the music and art festival now entering its third year, has caused waves in the festival scene for its ability to mesh together art and music into an immersive experience.
Timothy Greenfield-Sanders began shooting large-format portraits in the late 1970s, using an 8x10-inch camera to capture a certain expression or pose that would reflect something memorable in his subject.
The Dallas Opera’s superb production of the world’s most frequently performed opera, Giuseppe Verdi’s La Traviata, boasted sensitive conducting, a dynamic heroine and innovative directing.
Zack Ingram wasn’t entirely optimistic in spring, when he applied for the inaugural Tito’s Prize, a collaboration between Big Medium and Tito’s Handmade Vodka to help develop an Austin-based artist’s career.