Francisco Moreno’s The Chapel and Accompanying Works at Erin Cluley Gallery, on view through May 19, is a classical barrel-vaulted building constructed inside the gallery.
“Where are you going?” asked Dallas’s favorite classical DJ Amy Bishop, as I was heading straight into Meyerson Symphony Center, which would have been great had I been planning to go see Jaap van Zweden in one of his final concerts.
Thank goodness, because one thing our arts communities do not need is another wannabe dictator (ditto the world for that matter). Give us a little room for curiosity, however, and we’ll happily run with it.
Past exhibitions by Kamrooz Aram have carried such provocative titles as Unstable Paintings for Anxious Interiors and Ornament for Indifferent Architecture.
“You are going to love this program,” Eduardo Vilaro told me as we shared a glass of wine last summer while his troupe, Ballet Hispanico was gracing the Jacob's Pillow Stage.
It’s a Tuesday night at Buzzbrews Kitchen in Dallas’ Uptown neighborhood, where tattooed waitresses with Bettie Page-inspired hairstyles are ferrying plates of hot pancakes and bacon to their tables.
For the past 20 years, the National New Play Network has connected nonprofit theaters across the U.S. through the cultural importance of new plays and living playwrights.
The artist, Josiah McElheny, working with cosmologist David Weinberg, creates a gallery-sized installation, consisting of five hanging chromed-metal, transparent hand-blown glass and light sculptures.