When I saw that this year's Marfa Sounding focused on the great California-based legend and dance maker Anna Halprin, I knew that I had to make trek to Marfa for Memorial Day weekend.
Texas composers have a champion in Chad Robinson, founder and artistic director of Texas New Music Ensemble (TNME). Concluding its 4th season, TNME will highlight its unique mission and growing accomplishments with its annual celebratory summer concert on Aug. 12th at MATCH.
Da Camera has flourished because of the entrepreneurial spirit and open-mindedness of its hometown of Houston, as general director Sarah Rothenberg will readily tell you.
It's the first time Matthew Dirst, Founder and Artistic Director of Houston's leading early music ensemble Ars Lyrica, has programmed an entire season of music focusing on women.
“We always felt that this was a clubhouse for a group of friends who felt like we were a little bit off,” he said. “We still feel a little off and we still want to be that clubhouse, that space for people like us who feel a little off. We have to find another way to do that now.”
The conductor nearly chickened out. Planning the concert that will open the River Oaks Chamber Orchestra’s 2017-18 season, Vladimir Yampolsky suggested a rarity: the Symphony No. 2 by Kurt Weill of Threepenny Opera fame. Then he wavered.
The women in Sappers and Miners, Kelli Vance’s new show of paintings on view through June 17 at Chris Worley Fine Arts, are preparing for a kind of war. Vance depicts her young soldiers in various modes of spiritual training.
Placed strategically throughout the lushly-landscaped grounds of the Dallas Arboretum and Botanical Garden is a selection of sculptures of African women, birds, safari wildlife and abstracted forms.
City as the “common denominator” is the main consideration of DATA CITY, an international UNESCO (United Nations Educational, Scientific, and Cultural Organization) exhibition of new media installations by artists from members of the organization’s Creative Cities Network (UCCN). Austin artist and designer Clay Odom has been invited to represent the Texas state capital.
Three years after the death of choreographer Bruce Wood, his Dallas dance company is thriving. That’s not something anyone could’ve assumed at the time, even the people now building on his considerable body of work so well.
At first, the schoolchildren who are filing into Dallas City Performance Hall with wide eyes and the occasional giggly outburst might seem excited simply to be out of the classroom and on a field trip.