Sometimes the final act brings resolution and neatly ties up an epic tale. Sometimes the final act leaves little resolution and gives an opening for a follow-up, or nothing at all.
The Fort Worth Symphony Orchestra still has its eye on Beethoven, Brahms, Debussy and their ilk. But it will peek beyond its artistic home turf next season, when it will share Bass Performance Hall with actors, dancers and even masterpieces of Spanish painting.
Katie Puder isn’t one to do things halfway. For Avant Chamber Ballet’s 13th season, the founding artistic director is nearly doubling the company’s repertoire, launching a new subscription series for families, premiering two original ballets, and restaging a landmark production by mentor and longtime collaborator Paul Mejia.
One of the profound joys of being a curator (and an arts writer) is discovering the work of an artist and, over the course of years, witnessing and supporting the development of their unique and uncompromising creative vision.
As we celebrate season announcement season at Arts and Culture, it’s time once again for this resident theater cartographer to unroll her maps and season schedule to chart the ebb and flow of big Broadway musicals as they tour the Lone Star State.
For TITAS/Dance Unbound’s 2025-26 season, the math is undeniably impressive: 10 companies from five different countries, among them two debuts (one U.S. and one Texas) and two world premieres.
Through more than 70 pieces from Berlin’s esteemed Neue Nationalgalerie, the latest exhibition at Fort Worth’s Kimbell Art Museum gives American audiences a rare opportunity to explore the artistic developments within one of history’s most infamous periods. Modern Art and Politics in Germany: 1910-1945 runs through June 22.