When I saw that this year's Marfa Sounding focused on the great California-based legend and dance maker Anna Halprin, I knew that I had to make trek to Marfa for Memorial Day weekend.
Three years after the death of choreographer Bruce Wood, his Dallas dance company is thriving. That’s not something anyone could’ve assumed at the time, even the people now building on his considerable body of work so well.
When Jennifer Hart founded Performa/Dance in 2014 with Ballet Austin dancer Edward Carr, she wanted a platform not only to show her own work, but to feature work by other local artists, as well as innovative national choreographers.
Dallas dance-lovers are proud that a dance-centric presenter like TITAS Presents exists in their city—and they should be. Executive Director Charles Santos is famous for his eye for up-and-coming troupes, as well as showcasing international groups.
Texas is having an Alice boom with Ballet Austin performing Septime Weber’s Alice on May 12-14 at The Long Center and Texas Ballet Theater performing Stevenson’s Alice, May 19-21 at Bass Performance Hall in Fort Worth, and June 2-4 at Winspear Opera House in Dallas.
I’ve always had a pestering curiosity about Anna Sokolow. A great American choreographer who influenced the development of modern dance in America, Israel, and Mexico—to say nothing of the famous actors who credit her as a force in their training, including Faye Dunaway, Julie Harris, Eva-Marie Saint, Jean Stapleton, Eli Wallach, Patti LuPone, and Kevin Kline—Sokolow nevertheless remains at the periphery of the canon.
What do you do when a dancer crawls out from under the bench that you are sitting on? Then, a moment or two later, he takes the bench away entirely.
Such is the life of an audience member in immersive dance theater.
The award winning choreographer and dancer Daniel Proietto makes a double festival stop in Houston this April, as his solo, Player, is on Dance Salad’s lineup (April 13-15), and he is appearing in Simulacrum by the renowned Norwegian troupe winter guests, as part of CounterCurrent 2017, the annual multi-disciplinary festival presented by University of Houston Cynthia Woods Mitchell Center for the Arts (April