Time is a precious commodity, and as we move further away from the standstill of the pandemic years, many of us are finding that we have far less than we would like.
Frank—who earned bachelor’s and master’s degrees from Rice University’s Shepherd School of Music in the 1990s—will return to Houston for the world premiere of Frida’s Dreams, a multimedia spinoff of El último sueño.
From a self-portrait worth $55 million to hand-painted shoes on Etsy, from egg cups to a biographical ballet and lookalike festivals across the globe, very few artists have ever inspired and driven the world’s imagination like Frida Kahlo.
It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The sign outside the Northwest Houston church where the Monarch Chamber Players opened their sixth season read, “We bring the concert hall to your neighborhood.”
In a city like Houston, one vast, improvisational, and definitely plural, artists often find their footing not through institutions, but through the communities that rise between them.