It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
With a tagline of “international, powered by women & curiously lo-fi,” Frame Dance’s line-up this year for Frame x Frame Film Fest 2022 offers a range of impactful films.
Back in pre-pandemic 2020, B. Moore Dance company founder Bridget Moore signed on as choreographer for the Second Thought Theatre’s production of Lynn Nottage’s play Mlima's Tale.
While there was little rainfall over the summer in central Texas, money flowed from the National Endowment for the Arts (NEA) to 51 national awardees, including Austin’s venerable Forklift Danceworks, in the form of Our Town grants.
When one of Houston’s most acclaimed poets, Deborah D.E.E.P Mouton, set out to interview the city’s most legendary dancer, Lauren Anderson, she didn’t have a fully-formed creative objective.
English Baroque composer Henry Purcell’s Dido and Aeneas, his only true opera, is an indisputable masterpiece and one of the most beloved operas in the repertoire.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.