Texans love Impressionism in all its nationalities and schools, and Texas museums love bringing us Impressionist exhibitions in a myriad of flavors and themes.
“There’s a powerful thing with nostalgia and remembrance,” TUTS executive director Dan Knechtges says. “There’s great comfort in it after we’ve been through this plague—this pandemic.”
DACAMERA will launch its season Aug. 20-22 with SUMMERJAZZ, a one-weekend festival at the Wortham Theater Center. Long focused mainly on individual concert programs scattered throughout the season, the group is taking its first stab at filling a weekend with music.
Brett Ishida, a California transplant to Austin, is bringing her new Austin-based contemporary dance company ISHIDA to the stage for the company’s first evening-length production since the pandemic began.
A historic ice storm. The four seasons. Industrial sites colliding with the natural world. A farmer’s life and its links to the land. A glacier that melted away.
“These pitiful souls being tossed to and fro in the waves among you, their stories are mine as well,” decrees the magician Prospera in the Open Dance Project’s All the Devils are Here: A Tempest in the Galapagos.
I caught up with musicians from nine distinctive ensembles in Houston to reflect on the past year and look to the future. In Part Three, I visited with the Axiom Quartet, Houston Brass Quintet and Texas New Music Ensemble.
Houston is home to numerous chamber music ensembles that have thrived alongside each other, carving out their own niches with unique visions of how to present music and connect with audiences.
“I mean, I’m exhausted most of the time,” laughs Marlana Doyle, founder and executive/artistic director of Houston Contemporary Dance Company (HCDC), who is also president and CEO of the Institute of Contemporary Dance (ICD).