If you saw Innominate by Afsaneh Aayani at Catastrophic Theatre, you might think you know who Aayani is. You would be right and wrong at the same time.
Ars Lyrica is picking up right where it left off. After closing last season with the poignant finish of Henry Purcell’s Dido and Aeneas, Houston’s baroque ensemble will launch its 2022-23 season with another helping of the melancholy, gently dissonant harmony that bears Purcell’s trademark.
How does craft tell stories differently than other visual arts media? I posed this question to Texas-raised, Los Angeles-based artist and curator Andres Payan Estrada, juror for CraftTexas 2022, the biennial juried exhibition presented by Houston Center for Contemporary Craft (HCCC), now in its 11th edition.
Ten years ago, multidisciplinary artists and life partners Nick Vaughan and Jake Margolin set out to trace a little-known bit of queer U.S history, an 1843 pleasure excursion by100 men from St Louis to the Wind River Range of Wyoming, likely the first example of North American gay eco/party tourism.
In Artistic Director Sarah Rothenberg’s mind, a quintessential DACAMERA season must have a balance of beloved masterpieces performed by great musicians from the classical world, and fantastic jazz of varying styles that reflect the ever-widening genre.
English Baroque composer Henry Purcell’s Dido and Aeneas, his only true opera, is an indisputable masterpiece and one of the most beloved operas in the repertoire.
The best parts of horror movies are always the early scenes, when a director can revel in the shadows and tease us with glimpses of the monster, allowing our brains to fill in the blanks.
Amoako Boafo: Soul of Black Folks was first exhibited at San Francisco’s moAD and has now traveled to the Contemporary Art Museum Houston, on view May 27 through Oct. 2.
During the height of the streamed performing arts portion of the pandemic, I thought a lot about the difference between being a viewer and an audience member.
The pandemic forced PrintHouston to sit out 2021. Now that the virus is largely under control, the city’s biennial celebration of the printmaking art isn’t waiting for another odd-numbered year to roll around.