Frank—who earned bachelor’s and master’s degrees from Rice University’s Shepherd School of Music in the 1990s—will return to Houston for the world premiere of Frida’s Dreams, a multimedia spinoff of El último sueño.
It should surprise no one that in Houston, the fourth largest city in the country, the art of opera is thriving on the Wortham Theater Center stage downtown as well as in urban breweries and suburban performing arts spaces.
The sign outside the Northwest Houston church where the Monarch Chamber Players opened their sixth season read, “We bring the concert hall to your neighborhood.”
Is it strange for an opera company to stage Fiddler on the Roof? Showcasing the Broadway landmark makes total sense to Annie Burridge, Austin Opera’s CEO.
Everybody appreciates a little recognition from their peers, right? It came to the Apollo Chamber Players from Chamber Music America, which promotes their field nationwide.
This fall, Dallas once again becomes a crossroads of Latinx voices as Cara Mía Theatre launches its 2025–26 season with the sixth-annual Latinidades Festival & Symposium.