The Dallas Opera had just begun rehearsals for a landmark event: the company’s first production in more than 30 years of Giuseppe Verdi’s Don Carlo, a drama whose challenges tower nearly as high as its musical splendors.
The Dallas Symphony’s 2020 Soluna festival will encompass all that and more. The annual music and arts showcase, opening April 3, will feature Dallas artists plus globe-trotting guests; traditional concerts and multimedia immersions; a live incarnation of an acclaimed rock ’n’ roll album as well as a documentary film whose subjects perform in person in front of it.
Artists grappling with the political has been the norm for thousands of years, but when art and social-political questioning merge at an interdisciplinary performance festival like Austin’s Fusebox Festival 2020 (April 15-19), the results can sometimes expand artistic boundaries.
Nearly 20 years ago, Craig Lynch and Jeff Rane took a look around Dallas and noticed a gap. Despite having the sixth-biggest population of LGBTQ people in the nation and a reputation as one of the country’s most gay-friendly cities, no theater company in Dallas was regularly producing theater that told this community’s stories.
Attention, opera-goers: If you’ve been looking for a chance to change the mind of “that one friend” who swears they don’t like opera, this could be the time.
Standing six-foot-six, sporting a luxuriant silver mane and beard, decked out on formal occasions in flamboyant capes, he turned heads from Texas to New York.
Amy Stevenson, a performer and educator who founded and hosts a weekly cabaret called Mama’s Party, has been more than good to Dallas-Fort Worth for the last 14 years.
The Houston Symphony will be one of many orchestras that mark the 250th anniversary of Beethoven’s birth. But how many groups will also spend part of next season celebrating women who play the violin?
Even after Marian Anderson won international acclaim as a singer, she felt the sting of racial discrimination. She fought back with unique weapons: her deep river of a contralto voice and her unshakably dignified bearing.