A pair of excellent new music concerts on the Houston calendar this month illuminated the distinct yet overlapping currents that shape the body of contemporary music.
Avant Chamber Ballet opens its seventh season with an ambitious collaboration with the Verdigris Ensemble for a stunning production of The Little Match Girl Passion, David Lang’s haunting choral adaptation of the Hans Christian Andersen fairy tale, “The Little Match Girl.”
The Dallas Opera's production of The Flying Dutchman, beautifully conducted by Emmanuel Villaume and under the direction of chorus master Alexander Rom and stage director Christopher Alden, takes 1930s-era Germany as its visual and conceptual stage.
Continuing its unique mission to explore and incorporate diverse folkloric elements and global inspirations while enriching and augmenting the classical repertoire, Apollo Chamber Players embarks on its second decade with fresh ideas and new sounds.
Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers.
Robert Simpson, founder and artistic director of the Houston Chamber Choir (HCC), has just brought home one of the most coveted awards in the field of choral music.