Continuing its unique mission to explore and incorporate diverse folkloric elements and global inspirations while enriching and augmenting the classical repertoire, Apollo Chamber Players embarks on its second decade with fresh ideas and new sounds.
Alecia Lawyer, the River Oaks Chamber Orchestra’s artistic director, introduced the idea discreetly last fall: She and two other musicians devoted a program on the group’s Unchambered series entirely to works by female composers.
Robert Simpson, founder and artistic director of the Houston Chamber Choir (HCC), has just brought home one of the most coveted awards in the field of choral music.
Those familiar with the University of North Texas School of Music know that Denton is a hotbed of musical talent that expands not just into the Dallas-Fort Worth region, but to every part of the world.
The moment has arrived. This fall, Ars Lyrica Houston is set to power full steam ahead with the production of its first fully staged Baroque opera, George Frideric Handel’s sensational masterpiece Agrippina.
As soon as my sister and I got off the escalator at the George R. Brown Convention Center on our way to see the Houston Grand Opera's production of Norma, we were greeted with a gigantic sign— “The Show Will Go On—with the words, “HGO Resilience Theatre” written underneath.