Even if you’re unfamiliar with Graham Reynolds’ name, you’ve probably heard his work — he is, after all, the quintessential modern-day composer, working across a diverse array of mediums that include dance, theater, television and film.
Marfa Myths is the devil-may-care response to the revelry of SXSW. Curated by Ballroom Marfa and Brooklyn-based record label Mexican Summer, the festival returns March 10-13, 2016, with a cultural program that fuses music, art, and film.
Robert Simpson sums up what keeps him going: “I’m always excited about whatever is over the next hill,” says the Houston Chamber Choir’s founder and artistic director.
Playing in the Dallas Symphony, Dallas Opera Orchestra and other ensembles offers plenty of fulfillment. Yet on top of their duties with those groups, nine musicians make time for Voices of Change, Dallas’ 42-year-old new music ensemble.
here's something about do-ablity that is making me a more eager watcher these days. Perhaps I suffer from a mild case of sustainability syndrome. Maybe it's my Buffalo upbringing or being raised by depression era parents that puts me in the “doing more with less” mood.
Sarah Rothenberg, artistic director of Da Camera and Houston’s great maestro of performances that blend music, literature and art, believes that to encounter the works of the great French author Marcel Proust is to begin a life long relationship.
It has been six years since bassoonist Tracy Jacobson ran through the halls of Shepherd School of Music at Rice University, asking her friends if they would join her in playing in a woodwind quintet.
Sure, J.S. Bach is the most revered composer of his time. But the society goes beyond him to take in the entire Baroque spectrum: more than 150 years of music ranging from pieces for solo instrument to choral works to opera.