Launched in 1993 as a showcase for a single performer, it has evolved into an annual contest that offers $40,000 in prize money to aspiring musicians aged 18 to 32.
It’s the start of my whirlwind tour of the Dallas Arts District. Improbably, in all the years I have lived in Houston (23) and all the time I have been an arts writer in Texas (5), I had never been to Dallas. I am here now as a first time arts tourist, eager to absorb the wonders of a new place, open to every experience that might come my way.
Now as spring blooms, we find Austin’s Fusebox, the state’s largest multidisciplinary arts festival, carrying the trend into 2023 with five days (April 12-16) filled with its usual innovative and experimental work, but also a particularly playful and fun lineup.
In summer 2022, a little-musical-that-could defied the odds in Dallas. Produced as an independent entity, Cabaret at Arts Mission Oak Cliff had no established theater company backing it, no built-in subscriber base, and no big names attached.
As everybody knows, the University of Texas at Austin has transformed its hometown thanks to its role as a hotbed of research. There’s more to that than churning out innovations in computers and technology.
For all the glories of Carmen, La Boheme, Aida and the like, opera companies sometimes want to tackle a work that’s out-of-the-ordinary: Call it a statement opera. The urge came upon The Dallas Opera before the pandemic.
It’s been way too long since I sat around the virtual table with our fabulous theater writers Lindsey Wilson and Tarra Gaines to chat about all things performing arts in Houston, Dallas and beyond.
McKay’s goal for each concert is to create a program that has an arc and trajectory to it, making an experience that feels organic in the way it unfolds.