Mario Aschauer, Founder and Artistic Director of Houston’s newest early music ensemble Harmonia Stellarum Houston (HSH), likes to take road trips to look at organs.
Reflecting on a milestone 20 years at Ars Lyrica Houston, Founder and Artistic Director Matthew Dirst took a moment to look back at the beginning. “It hardly seems possible,” says Dirst. “It was a kitchen table kind of organization. It essentially grew out of a nucleus of musicians that I had put together to play programs on some local church series.”
Houston’s DACAMERA swings back into action this fall with a program dubbed “Awakenings.” It sets up the group’s new season in more ways than just chronologically.
One nice performing arts perk of Texas holding five of the top thirteen most populous cities in the U.S. is that we don’t have to go to New York or London to see the hottest Broadway or even a West End show.
Houston Grand Opera’s 2023-24 season is nothing short of epic. “We are producing some of the grandest and most mature artistic works in the repertoire all in one season,” says Khori Dastoor, HGO General Director and CEO. “Verdi’s last opera, Wagner’s last opera, late Mozart—these pieces are Mount Everest, each one of them.”
The challenge is so great that no U.S. orchestra has pulled it off in recent decades: a concert-hall presentation of Richard Wagner’s four-opera epic, The Ring of the Nibelung. But the Dallas Symphony Orchestra is taking it on.