If 2020 into 2021 was the ultimate annus horribilis, the year really became the worst of times for that most ephemeral and impermanent of arts, live performance.
In time, a diamond is created. Incidentally, as Fort Worth Opera steps into its 75th season in the wake of a pandemic, the Diamond Anniversary designation is perhaps more appropriate than ever imagined.
Bushman and three other San Antonio musicians—pianist Daniel Anastasio, cellist Ignacio Gallego and violinist Sarah Silver Manzke—joined forces in 2018. To symbolize their group’s roots in the city, they dubbed it Agarita, taking the name from a shrub that’s native to San Antonio and the Hill Country.
We’re still holding our breath, knocking on a forest full of wood and sacrificing chicken-shaped tofu to Dionysius, but it looks like in-person, inside-an-actual-theater, theater will finally take the stage this fall.
“There’s a powerful thing with nostalgia and remembrance,” TUTS executive director Dan Knechtges says. “There’s great comfort in it after we’ve been through this plague—this pandemic.”
DACAMERA will launch its season Aug. 20-22 with SUMMERJAZZ, a one-weekend festival at the Wortham Theater Center. Long focused mainly on individual concert programs scattered throughout the season, the group is taking its first stab at filling a weekend with music.
A historic ice storm. The four seasons. Industrial sites colliding with the natural world. A farmer’s life and its links to the land. A glacier that melted away.
I caught up with musicians from nine distinctive ensembles in Houston to reflect on the past year and look to the future. In Part Three, I visited with the Axiom Quartet, Houston Brass Quintet and Texas New Music Ensemble.