Texas Studio: Bennie Flores Ansell
The idea of migration has been with Flores Ansell all her life. “I am evidence of a migration.”
Texas Studio
Texas Studio-Harrison Guy: Signals for Freedom
Harrison Guy is Houston’s renaissance man, working in many streams of creativity, activism and influence.
Texas Studio: Lina Dib
Lina Dib is a collector. Objects, affects, memories, and sounds; one may be stored in a cabinet, another on a hard drive.
Texas Studio: Matt Clark
Artist Matt Clark, painter, professor, collaborator, and entrepreneur thinks art makers “sharpen that trait over time…
Texas Studio: Katy Heinlein
Sculptor Katy Heinlein’s studio is quiet, cozy, exploding with texture and color, and perhaps most important of all, stable.
Texas Studio: Matt Messinger
Houston artist Matt Messinger is a collector—of art yes, but also of ephemera, which leaks and injects itself into his work.
Texas Studio: Ana Fernandez
San Antonio artist Ana Fernandez, a regionalist for the 21st century, finds that it’s really the people that make a place.
Texas Studio: Delita Martin
When I visited artist Delita Martin at her Black Box Press Studio this past December, it became clear over the course of our conversation that her bold, multi-layered prints of “everyday” working-class black women emerge through a strikingly similar kind of spiritual traversal.
Texas Studio: Catherine Turocy
Search for information on baroque dance and it won’t be long before you come across the name Catherine Turocy.
Texas Studio: Alicia Eggert
The Dallas-based artist Alicia Eggert, along with collaborator James Akers, recently opened a captivating new work at Houston’s Color Factory, a pop-up space that focuses on “instagrammable,” site-specific installations.
Texas Studio: Brendan Bourque-Sheil
Houston playwright Brendan Bourque-Sheil describes his journey to his current situation as a rollercoaster with many trips to “the deep end.”
Texas Studio: Maja Ruznic
Rooted in trauma, identity and the refugee experience, the artistic practice of Bosnia-born painter Maja Ruznic draws on collective memory.