In time, a diamond is created. Incidentally, as Fort Worth Opera steps into its 75th season in the wake of a pandemic, the Diamond Anniversary designation is perhaps more appropriate than ever imagined.
We’re still holding our breath, knocking on a forest full of wood and sacrificing chicken-shaped tofu to Dionysius, but it looks like in-person, inside-an-actual-theater, theater will finally take the stage this fall.
“There’s a powerful thing with nostalgia and remembrance,” TUTS executive director Dan Knechtges says. “There’s great comfort in it after we’ve been through this plague—this pandemic.”
It will come as no surprise to anyone who knows her that Danielle Georgiou—who is perhaps the most eclectic choreographer in the DFW dance space—is already ramping up for a packed summer and fall season.
Leos Ensemble Theatre decided to change that. The Dallas-based company, which was founded in 2019 by dancer and performer Nick Leos, is becoming the first theater group in the U.S. (and perhaps even the world) to create a piece expressly for TikTok.
The pandemic may have forced the cancellation of this year’s Fusebox Festival, one of the nation’s largest annual interdisciplinary performing arts festivals, but the Austin organization continues to present and nurture artists.
Nearly one year to the day that the Dallas Arts District—and most of the world—shut down due to the COVID-19 pandemic, ACTX’s Lindsey Wilson interviewed its executive director, Lily Cabatu Weiss.
Now as spring and vaccines bring optimism, the Dallas Theater Center will attempt to forge a new trail to bring artists and audiences back into the theater.