Attention, opera-goers: If you’ve been looking for a chance to change the mind of “that one friend” who swears they don’t like opera, this could be the time.
Houston-based artists Stephan Hillerbrand and Mary Magsamen, known collectively as Hillerbrand+Magsamen, address topics of family, communication, and consumerism, most recently through their ongoing body of artworks called The Devices Project.
For artists Nick Vaughan and Jake Margolin, putting up plaques and statues or writing books are still absolutely necessary, but still they see many opportunities to let queer folk “be super queer in how they honor and preserve these histories.”
Amy Stevenson, a performer and educator who founded and hosts a weekly cabaret called Mama’s Party, has been more than good to Dallas-Fort Worth for the last 14 years.
Somewhere near the end of the first act of Stages’ sweet and nostalgic production of the classic musical The Fantasticks when a happy ending tableau had arrived but an entire second act still remained to follow, I couldn’t stop thinking of that likely-apocryphal story about the cosmologist confronting a turtle infinity.
But as families and school administrators are beginning to acknowledge the journey that more and more young transgender people are recognizing, exploring, and living, so is Dallas Children’s Theater.
As the United States closed its skies on September 11, 2001, thousands of plane passengers found themselves in midair over the Atlantic with only one place to land—the airport near the small town of Gander, Newfoundland.
Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing.
“You can’t fly if you have never left the ground,” says Houston’s 4th Wall Theatre cofounder, Kim Tobin-Lehl, when thinking about taking artistic risks.