In 1966, Gordon Parks, one of the most acclaimed photographers of the 20th century, set out to profile rising civil rights leader Stokely Carmichael for Life magazine.
Manalo’s family immigrated to the United States from the Philippines when he was nineteen, sparking what would become one of the major driving questions - what does ‘home’ mean?
“Creative people need time to sit around and do nothing.” This perceptive quote from author Austin Kleon, a self-described “writer who draws,” is front and center on Deborah Robert’s Instagram account as I’m writing.
Just as the song was a response to the concerns of its time, the works that constitute the central exhibition of FotoFest Biennial 2022: If I Had a Hammer (Sept. 24-Nov. 6 at Silver Street and Winter Street Studios) confront the issues of our time.
For more than 20 years Dallas-based artist Charlotte Smith has reveled in experimenting with paint, and occasionally other materials, creating a signature style grounded in process-driven abstraction.
The artist has held roles as Professor and Curator at the University of Texas at Arlington for twenty-five years, and the occasion of our conversation is his retirement.
If you saw Innominate by Afsaneh Aayani at Catastrophic Theatre, you might think you know who Aayani is. You would be right and wrong at the same time.
How does craft tell stories differently than other visual arts media? I posed this question to Texas-raised, Los Angeles-based artist and curator Andres Payan Estrada, juror for CraftTexas 2022, the biennial juried exhibition presented by Houston Center for Contemporary Craft (HCCC), now in its 11th edition.
Spanish Golden Age painter Bartolomé Esteban Murillo might be hailed as the leading religious painter of Seville during his lifetime, which spanned 1617–1682, but he wasn’t initially a favorite of former Louvre curator Guillaume Kientz.