Multiplicity: Blackness in Contemporary American Collage, on view Feb. 18 through May 12 at the Museum of Fine Arts, Houston, is the first museum survey of Black collage artists.
Inspired by a gift from her grandson of one painting and four drawings, Janet Sobel’s early but short-lived career is now the subject of a compelling exhibition at the Menil Collection from Feb. 23 through Aug. 11.
Kehinde Wiley and Museum of Fine Arts, Houston Director Gary Tinterow first met in New York when Tinterow, then a curator at the Metropolitan Museum of Art, proposed the acquisition of Wiley’s The Veiled Christ, a large 2008 watercolor.
The McNay Art Museum in San Antonio is using the recent acquisition of two important print suites as impetus to explore the diverse visions of three contemporary Black artists: Radcliffe Bailey, Kara Walker and Derrick Adams.
When the public has the chance to view a monumental, but private collection of art, it usually occurs if the collection is loaned to a museum and perhaps organized as a special exhibition.
Leonardo Drew combines hundreds of intricate handmade objects to transform the first-floor gallery at the Amon Carter Museum of American Art in Fort Worth into a multi-dimensional environment.
For 75 years, the Contemporary Art Museum Houston (CAMH) has sought to engage its community in a dialogue that stems from its inaugural exhibition: This Is Contemporary Art (1948).
In 2013, at the Dallas Museum of Art, Leigh Arnold curated Robert Smithson in Texas, a first of its kind look at the famous land artist’s finished and unfinished works in the state.