The title, Funnyman, is a little misleading. Sure, this tightly-structured work by Philadelphia playwright Bruce Graham has its chortles, but at heart it’s a story about the seriousness of comedy, and those who create it.
Matthew Barney and Jonathan Bepler’s River of Fundament is, according to them, a “nontraditional opera with a series of one-time-only live acts performed across the American landscape.”
Lee Nguyen from the City of Austin gave the latest work at ZACH Theatre a thumbs-up review. But it wasn’t exactly for the company’s latest drama, comedy or musical.
When we meet for coffee, Harold Mendez has just returned to Houston from the Rauschenberg Residency at Captiva Island (FL) via Chicago, where he opened a solo exhibition at Patron Gallery.