On Saturday Aug 27, walking out of the second night of Rush Process, a film festival highlighting handcrafted animation, my friend said, “it was v inspo,” which in millennial poetics, means “very inspiring.”
Dorothy Hood’s artwork is a reflection of a life of unapologetic independence. Before man walked on the moon, the Texas native began making her own trailblazing discoveries in the art of abstraction.
Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront.
“Do you know the stereotype that any male who’s approaching his mid-30s becomes really interested in World War I or World War II?,” Shayne Murphy laughs sheepishly, including himself in this group.