Monet: The Early Years at the Kimbell Art Museum kicks off with a startling contrast between Claude Monet’s earliest exhibited work—View Near Rouelles, a crisp, placid, highly finished 1858 landscape—and Farmyard in Normandy (1863), which is striking for what exhibition curator George T. M. Shackelford notes is “a surface that, in its final form, appears to be still in progress.”
It's the holiday season, which means we get all crazy about making memories with our family and friends. Perhaps it's this insatiable urge that drives us to the same shows over and over.
Degas: A New Vision will end its only U.S. presentation at the Museum of Fine Arts, Houston on Jan. 16, meaning its departure will roughly coincide with the fifth anniversary of director Gary Tinterow’s arrival from New York’s Metropolitan Museum of Art, where he spent the bulk of an impressive curatorial career.
The title, Funnyman, is a little misleading. Sure, this tightly-structured work by Philadelphia playwright Bruce Graham has its chortles, but at heart it’s a story about the seriousness of comedy, and those who create it.