It all began in the trunk of a car. George Hawkins, lean and possessed of a mega-watt smile, spent the 1960s and the early 1970s captivated by the African-American Theater Movement.
When we watch the walls of a house go up, we are aware of an implicit narrative in the skeletal studs, a uniformity that allows us to imagine a cozy life being lived inside their orderly framework.
Almost seventy paintings and works on paper by Norman Lewis are on view through Aug. 21 at the Amon Carter Museum in Fort Worth as part of Procession: The Art of Norman Lewis.
During an email exchange with Jessica Lang about her collaboration with architect Steven Holl for Tesseracts of Time, I realized that I could hear the sounds of construction of Holl’s new Glassell School, part of the new MFAH campus, from my desk as I was typing.