Dallas struggles with its identity. If the three big cities of Texas were familial stereotypes, Dallas would be the middle child, stuck between its classy older sibling, Houston, and the cool, do-no-wrong youngest sibling, Austin.
On Houston dance stages, this season has been a virtual feast of American dance thanks to Society for the Performing Arts’ focus on great American Dance Companies.
Los Angeles-based conceptual artist Charles Long’s CATALIN and Pet Sounds are the two newest sculptural installations on view at the Contemporary Austin’s two venues, the Jones Center and Laguna Gloria.
If SXSW were to showcase a classical pianist, it would have to be Jade Simmons, and it is, as she has been invited to play at the storied festival, which takes over Austin, March 7-16th.
It’s not quite right to use the term “hidden gem” to describe the Tobin Theatre Arts Collection, housed in gallery space at San Antonio’s McNay Art Museum—mostly because the collection is far from hidden.
The ZACH Theatre's production of Sarah Ruhl's In The Next Room or the vibrator play is an exquisitely designed and cleanly executed investigation into sexuality in the dawn of automation.
Robert Indiana’s totemic sculptures and hard edge paintings filled with enigmatic numbers and text were lionized by New York art critics in the early 1960s, who listed him with Andy Warhol, Roy Lichtenstein, and James Rosenquist as one of young Turks taking on the rule of abstract expressionism.
A magic lantern, a flying carpet, an evil monster, love at first sight and a blend of trickery and triumph sounds like all the right ingredients for a juicy story ballet.