“Keep Austin weird,” the bumper-sticker admonition goes, but German filmmaker John Bock—the latest of many European artists to take a cinematic crack at Texas, has envisioned a weirder Austin in Dead + Juicy, an exhibition combining an “uncanny musical” with an installation of transformed versions of the film’s props and sets.
Austin is a capital of printmaking with many different components. Using several venues to host a deluge of events, PrintAustin ties all the components together. The month-long festival from Jan. 13-Feb. 18 at venues including Gallery Shoal Creek, FlatBed Press, and La Pena Gallery, draws a diverse crowd of art snobs, artists, hipsters, and novices. It’s printmaking on a huge scale.
You may be hard-pressed to explain what ZZ Top, Eva Longoria, Willie Nelson and Walter Cronkite have in common, but for the Texas Cultural Trust, the answer is simple: Texas.
Since 2003, Big Medium’s East Austin Studio Tour (or EAST for shorthand), Nov. 12-13 & 19-20, has offered Austin artists the chance to open their doors to the public.
In Texas, as in most other regions, funds for contemporary dance are spread thinly, even across companies considered to be the toast of the state’s dance scene.