San Antonio’s McNay Art Museum has been transformed into a haunted house for the Halloween season, as if a witch had cast her spell on the venerable San Antonio institution.
Artists—Americans, in some cases, expatriates in others—played key behind-the-scenes roles in helping to decide which European paintings and sculpture would comprise what became some of the great public collections in the United States.
Before joining San Antonio’s McNay Art Museum as its third director in September, Rich Aste was finishing work on the exhibition French Moderns: Monet to Matisse, 1850-1950, which turned out to be his swansong as the Brooklyn Museum's managing curator, arts of the Americas and Europe, and curator of European art. French Moderns travels to the McNay from March 1 to June 7. Devon Britt-Darby sat down with Aste to discuss his plans for Texas's oldest modern art museum.
A hand, a conch shell, a pair of lips, a valentine heart: Rendered in pastels and lined up along the gallery wall, they possess an eerie mix of starkness and sensuality.
Carlos Donjuan is known for his surrealist paintings of masked figures punctuated by pops of searing color, striking minimalist shapes, and spurts of spray-paint that nod to his graffiti-painting artistic origins.