The Dallas Opera’s superb production of the world’s most frequently performed opera, Giuseppe Verdi’s La Traviata, boasted sensitive conducting, a dynamic heroine and innovative directing.
Zack Ingram wasn’t entirely optimistic in spring, when he applied for the inaugural Tito’s Prize, a collaboration between Big Medium and Tito’s Handmade Vodka to help develop an Austin-based artist’s career.
As a critic, I try to stay open to every theatrical form, genre and story to lay aside my personal preferences and tastes so that they don’t prejudice my views of any specific play and production.
Carleen Graham has a big job. One year after taking the helm as director of HGOco, Houston Grand Opera's community collaboration and education arm, Graham has found her groove.
As a curmudgeonly connoisseur of holiday performing arts, I’m always on the lookout for the innovative, quirky or simply new shows to devour like Christmas candy each most-wonderful-time-of-the-year
San Antonio’s expansive, one-night-only arts festival is turning 10 this year. In a city that wears its culture on its sleeve, Luminaria is unique, a carefully choreographed explosion of site-specific art events attended by an average of 10,000 patrons.
From Oct. 29-Nov. 19, 2017, San Antonio’s Nicolás Valdez will travel to California to be in residence at the Los Angeles Theatre Center where his show, Conjunto Blues, will play in repertory alongside 12 other productions as part of the Encuentro de las Américas International Theatre Festival.