Last April, as the evening weekend revelries began at Fusebox, Austin’s annual cross-disciplinary arts festival, performer Joseph Keckler took the stage at Al Volta’s Midnight Bar.
After seeing the selection of recent paintings by Katherine Bradford in the Modern Art Museum of Fort Worth’s intimate Focus show of her work, on view through Jan. 14, I found myself searching for the perfect word to describe her surprising color palette.
During the past 10 years the Dallas Museum of Art has hit many important milestones signaling its emergence as an encyclopedic institution and a player on the international stage.
Mortal, an exhibition of work by Kiki Smith at the Dallas Contemporary, on view through Dec. 17, spans the last 10 years of the artist’s output and includes the installation of Pilgrim, a set of thirty industrial steel windowpanes of mouth-blown stained glass.
Day for Night, the music and art festival now entering its third year, has caused waves in the festival scene for its ability to mesh together art and music into an immersive experience.
Timothy Greenfield-Sanders began shooting large-format portraits in the late 1970s, using an 8x10-inch camera to capture a certain expression or pose that would reflect something memorable in his subject.