Tea Ceremony is the newest body of work by the American artist Tom Sachs, who has brought his artist’s sensibility to bear on the traditional Japanese ritual, which he sees as a cultural phenomenon.
A timely and thoughtful exhibition featuring the work of eleven Guatemalan artists across an array of media examines the aftermath of a calamitous civil war that ostensibly ended 20 years ago.
“I’ve always liked to work from home,” says Richard Stout, the Beaumont-born painter, sculptor, and elder statesman of the Houston art world, as we sit in the Montrose-area studio he built 50 years ago behind his house.
Anyone who needs to be forced out of those “comfortable” preconceived notions of identity should see Genevieve Gaignard’s exhibition In Passing at the Houston Center for Photography, on view through Oct. 22.
“We found Charles’s death certificate in the Trinidad municipal library, and the Catholic cemetery had a ledger with his death records,” added Nick Vaughan.
In Heinrich Hoffmann’s 1845 children’s book Struwwelpeter, a little boy is warned by his mother to stop sucking his thumbs, lest they be cut off by a scissor-wielding, red-legged tailor.
The mucky brown waters had barely begun to recede when artist David McGee’s mother reminded him of the title of his upcoming exhibition at Houston’s Texas Gallery.