“Warning: You’re going to hear me say ‘I’m really excited about this’ a lot.” This is one of the first things Hector Garcia says during our interview about the Elevator Project’s 2024 season, and it’s not an understatement.
Four world premieres and more than 20 total works are the foundation for Dallas Black Dance Theatre’s 47th season, and that’s the sort of abundance that artistic director Melissa M. Young loves to see.
It’s the start of my whirlwind tour of the Dallas Arts District. Improbably, in all the years I have lived in Houston (23) and all the time I have been an arts writer in Texas (5), I had never been to Dallas. I am here now as a first time arts tourist, eager to absorb the wonders of a new place, open to every experience that might come my way.
In 1995, South African novelist and playwright Zakes Mda wrote a book called Ways of Dying that features a character named Toloki, a professional mourner at township funerals in post-Apartheid South Africa.
In summer 2022, a little-musical-that-could defied the odds in Dallas. Produced as an independent entity, Cabaret at Arts Mission Oak Cliff had no established theater company backing it, no built-in subscriber base, and no big names attached.
In 1980, two years after Teatro Dallas was founded by Cora Cardona and Jeff Hurst, only 9.9% of Dallas’s 904,078 residents ticked the newly added box for “Hispanic.”
Nothing says summer in Dallas quite like Shakespeare in the Park. For 50 years now, the Bard of Avon’s fans have been unfurling blankets, laying out picnics, and popping the corks on glistening bottles of chilled wine before enjoying an evening of iambic pentameter under the stars.