I sat down with Director Olivia Chacón to discuss Austin’s burgeoning flamenco scene, the growth of the studio and the company’s next theatrical production....
2019 was a year of firsts for the University of St. Thomas (UST) in Houston and its Dance Program Chair Jennifer Mabus as the school’s inaugural cohort of dance majors stepped into the studio for the fall semester....
Nancy Wozny: Pack a lunch, Lady T, we have a year and a decade to discuss. Let’s not be so top ten-ish, but think categorically. I always find what we are still talking about is the most revealing....
Group Acorde wants people talking about art—theirs or otherwise. The interdisciplinary, Houston-based quartet—dancers Lindsey McGill and Roberta Paixão Cortes, bassist Thomas Helton and saxophonist Seth Paynter—are in the middle of their fourth season....
Dallas’s Avant Chamber Ballet is taking the plunge: The seven-year-old company unveils its first staging of The Nutcracker, complete with a live orchestra, on Dec. 20....
TITAS stands for Texas International Theatrical Arts Society, but not since the 1999-2000 season has the presenter put so many international acts on stage....
The problem with bringing a groundbreaking work of art into the world is that sometimes it alters the landscape so much that when we revisit it we might forget that such a wonder didn’t always exist....
Meg Booth worked with organizations like North Carolina Dance Theatre, White Oak Dance Project, Twyla Tharp Dance and Dance/USA before spending 11 years directing dance programming at the John F. Kennedy Center for the Performing Arts in Washington, D.C. ...
In Dark Circles Contemporary Dance Artistic Director Joshua L. Peugh’s newest work, Pete: A Dance Musical a playground becomes Neverland and a favorite childhood fairy tale extends beyond a youthful adventure and incorproates commentary on life’s inherent contradictions and the queer, minority experience....
