Dorothy Hood’s artwork is a reflection of a life of unapologetic independence. Before man walked on the moon, the Texas native began making her own trailblazing discoveries in the art of abstraction.
Convention is not a part of Allison Orr’s vocabulary. The Forklift Danceworks artistic director has carved out a particular niche in the site-specific performance world of Texas—one that draws attention to the people and systems that keep our communities ticking, often without thanks or notice. This is Orr’s specialty: bringing the invisible to the forefront.
“Do you know the stereotype that any male who’s approaching his mid-30s becomes really interested in World War I or World War II?,” Shayne Murphy laughs sheepishly, including himself in this group.
Hannah Munitz's face lit up when I asked her about the Israeli Opera’s production of Onegin, which opens The Dallas Opera’s 2016/17season, Oct. 28-Nov. 6.
Though only two months old, Houston’s latest performing arts venue, the Rec Room, has established itself as a quirky alternative to traditional theater companies.
A woman takes a walk through the woods. She travels with a destination weighing heavy in her mind, an appointment to keep, yet along the way she meets a stranger by happenstance and everything changes.