Round 45: Local Impact at Project Row Houses through Feb. 12, includes artists Regina Agu, JooYoung Choi, Sally Glass, Jesse Lott + Ann Harithas, Tierney Malone, Harold Mendez, and Patrick Renner.
An exhibition on the development of modern art in Spain from 1915-1957 recently landed at the Meadows Museum on the campus of Southern Methodist University.
One of the remarkable things about dance is its consistent ability, despite diversities in origin, method, belief, or even time, to demonstrate our human similarities while providing opportunities to celebrate and appreciate cultural differences.
“It’s always been my dream to be a full-time artist.” I spoke to Floyd Newsum in his studio in the basement of the UHD campus, a short train-ride from Planter and Stems, as he prepared for a show of new paintings at the Nicole Longnecker Gallery, Jan. 14-Feb. 18, 2017.
Blake Rayne’s Cabin of the Accused, on view at Blaffer Art Museum through March 18, 2017, is a survey of works that “rearticulate specific elements, organizational attitudes, and pictorial procedures” in the artist’s oeuvre.
Even if you’re never seen Pilobolus in concert before, you’re probably familiar with the acrobatic dance troupe’s work. After starring in a Ford commercial over a decade ago, in which the dancers’ silhouetted bodies became the car, the commercial opportunities kept coming: a high-flying performance at the 79th annual Academy Awards, appearances on Sesame Street, Oprah, Ellen, The Today Show, Late Night with Conan O’Brien and more.
When Mara Richards Bim landed back in Texas, she wanted to offer young people something she felt her adolescence had lacked: Edgy, raw theater making. And thus, Cry Havoc Theater Company was born.
I spend a lot of time outside of Texas, for work, family, but mostly to keep up with my home artform: Dance. Nothing makes me happier than running into Texas dance artists doing work outside of Texas. So when a friend came up to me during my time at Jacob’s Pillow asking me if I knew that a Houston dancer was performing with the renowned choreographer Jonah Bokaer, my response was a proud, “Why, yes I do!”
In Warsaw, Monika Sosnowska lives across the street from a forest that was once a Jewish cemetery. During the Second World War, Germans destroyed it to use headstones as material for construction work. Polish people quickly responded by planting trees. They eventually started a project to restore the cemetery, which continues to this day
Dallas has a complicated relationship with its river. At various points in a century and a half of more or less official existence we’ve tried to transform the Trinity into an inland port, we’ve pretended it didn’t exist, and we’ve literally moved it, and now people and organizations, both public and private, are attempting to reclaim it.