Richard Serra’s work in print-making may be unknown to the casual art-goer, the artist’s name associated instead with his massive, imposing sculptural work in steel.
Ron Mueck got his start as a puppeteer, learning the trade from his family. Early in his career, he worked for an Australian children’s show, and you may best remember his pre-contemporary artist work from the 1986 classic Labyrinth, starring the late and great David Bowie.
One of the things we hear most about Houston is that it’s one of the most diverse cities in America, if not right at the top. Still, when people think of Texas, diversity isn’t the first thing to come to mind.
Amid the hearty shouts of “Cuba Libre” punctuating the final exuberant moments of Arthur Gottschalk's Imagénes de Cuba, Houston's Apollo Chamber Players capped off their historic performance/recording tour in Cuba with a lively retrospective concert at the Institute of Hispanic Culture upon their return to Houston.
Six months after Agustín Arteaga joined the Dallas Museum of Art as its new director, visitors to the DMA will benefit from one of his last initiatives at his previous post running the Museo Nacional de Arte in Mexico City.
When a writer pitched a story about an actor leaving Texas I immediately said, “No thanks, I need to focus on those staying.” Although, now I can't help wondering what would have been in that exit interview.
What is theater that doesn’t reflect contemporary realities? What kind of life can theatrical storytelling have if it doesn’t exist within the world it’s born into?
In the current FOCUS series of exhibitions at the Modern Art Museum of Fort Worth, abstract paintings by the African American painter Stanley Whitney are on view through April 2. This solo show is his first in Texas.
As the nation’s fourth largest city, Houston is home to more than 2.1 million people (over 5 million in the metro area). The city’s Latina/o residents comprise roughly 41 percent of the population. As I have detailed before (See: “Excluding Latina/o Stories in Tejas”), Houston’s arts scene has seen a major boom in capital projects, funding, and national exposure.
The Co-Work Space for Potential Dropouts, which will occupy SMU’s Pollock Gallery through March 11, is a project by the artist Avi Varma and curated by Pollock Curatorial Fellow Sofia Bastidas.