Long-time friends and former dancers for Dark Circles Contemporary Dance Emily Bernet and Taylor Rodman founded Bombshell Dance Project in Dallas in 2016.
Multiplicity: Blackness in Contemporary American Collage, on view Feb. 18 through May 12 at the Museum of Fine Arts, Houston, is the first museum survey of Black collage artists.
Inspired by a gift from her grandson of one painting and four drawings, Janet Sobel’s early but short-lived career is now the subject of a compelling exhibition at the Menil Collection from Feb. 23 through Aug. 11.
Since its founding in 2001, Uptown Players has put a heavy emphasis on relationships—not only with its patrons, the majority of whom identify as LGBTQ+, but also with its performers, musicians, crew, artistic and administrative staff, and playwrights and composers.
Since 1969, Southern Methodist University has been offering performing arts degrees in theater, music, and dance through undergraduate tracks in the Meadows School of the Arts.
Kehinde Wiley and Museum of Fine Arts, Houston Director Gary Tinterow first met in New York when Tinterow, then a curator at the Metropolitan Museum of Art, proposed the acquisition of Wiley’s The Veiled Christ, a large 2008 watercolor.
The McNay Art Museum in San Antonio is using the recent acquisition of two important print suites as impetus to explore the diverse visions of three contemporary Black artists: Radcliffe Bailey, Kara Walker and Derrick Adams.
When the public has the chance to view a monumental, but private collection of art, it usually occurs if the collection is loaned to a museum and perhaps organized as a special exhibition.