The clues lay in the lineup. Sitting down for a talk with Rich Levy and Krupa Parikh, executive and deputy directors of Inprint, about their 2025-2026 Margarett Root Brown Reading Series
In the Kimbell Art Museum’s Renzo Piano Pavilion, 58 ancient marble sculptures—some gods, others emperors, still others ordinary Romans—stand in commanding silence, carrying with them the weight of centuries.
Is it strange for an opera company to stage Fiddler on the Roof? Showcasing the Broadway landmark makes total sense to Annie Burridge, Austin Opera’s CEO.
Everybody appreciates a little recognition from their peers, right? It came to the Apollo Chamber Players from Chamber Music America, which promotes their field nationwide.
A city floats a mile above the earth. Transparent modules glint with water vapor, neon pulses like a heartbeat, and the promise of a different kind of life hums in the air. This is The Hydrospatial City, the centerpiece of Gyula Kosice: Intergalactic, on view Oct. 26-Jan. 25, 2026 at the Museum of Fine Arts Houston.
This fall, Dallas once again becomes a crossroads of Latinx voices as Cara Mía Theatre launches its 2025–26 season with the sixth-annual Latinidades Festival & Symposium.
There is a certain charge that comes when artists insist that the stuff of daily life, its toys, its rituals, its messes, belongs on the same stage as monuments and masterpieces.