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    Millennial Moms are the Newest Movers and Shakers in Dallas Art

    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

    Vessels of Heritage: Centro De Artes explores the transformation of everyday objects, places and ideas in a new exhibition in San Antonio’s Historic Market Square

  • Gallery Row

    Gallery Row

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    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

    Gallery Row: A Seasonal Spotlight on Six Texas Galleries

  • Dance

    Dance

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    A tribute to the legacy: KDH Dance Company performs honestly original new work

    Bruce Wood Dance Dallas in Joy Bollinger’s Move, with visual artist JM Rizzi and projection artist Courtney Ware. Photo by Marty Sohl.

    Room to Dream Big: Melissa M. Young Leads Bruce Wood Dance Dallas into the Future

    Bats, Swans & Bon Bons: Avant Chamber Ballet’s 15th season positions classical dance for modern audiences

  • Music

    Music

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    A FRESH TAKE: DACAMERA’S SEASON EXPLORES NEW WAYS OF LOOKING AT OLD THINGS

    Time for Tranquility: Apollo Chambers Players Offer a Contemplative New Season

    The Finale and Future: Austin Symphony Orchestra’s Peter Bay Passes the Baton

  • Theater

    Theater

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    Building a Theatrical Village: Austin’s Rude Mechs at 30

    Fearless & Fabulous at 25: Uptown Players Celebrates Community While Honoring Its Legacy

    The Drama Map: Trends, Patterns and Premieres on Texas Stages

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Before the Partition: Yoshitaka Amano’s Unbroken Line at Asia Society Texas Center

Jonathan Hopson·October 7, 2026
I am not swiping through digital images or peering into a paperback book; I am standing—as the first viewer to see Yoshitaka Amano: Big Bang at Asia Society Texas Center fully installed, where it runs through Feb. 7, 2027—in the quiet, pristine light of Yoshio Taniguchi’s architecture, confronted by raw scale, chemical reaction, and the unyielding physical friction of human labor on a gallery wall.
HoustonVisual Art

A FRESH TAKE: DACAMERA’S SEASON EXPLORES NEW WAYS OF LOOKING AT OLD THINGS

Sherry Cheng·September 25, 2026
As Artistic Director Sarah Rothenberg pulled together the repertoire and artists for DACAMERA of Houston’s 2026-27 season, she came across composer Gabriella Smith’s notes on her work for string quartet Carrot Revolution, in which she envisioned the piece as a celebration of the spirit of fresh observation and of “new ways of looking at old things.”
HoustonMusic

Time for Tranquility: Apollo Chambers Players Offer a Contemplative New Season

Steven Brown·September 22, 2026
The Apollo Chamber Players were taking part in a festival in Seattle when violinist Matthew Detrick, the group’s founder and artistic director, slipped away for a hike in nearby mountains.
HoustonMusic

Three Inches from the Past: The tactical, tactile birth of photography at the Kimbell Art Museum in Fort Worth

Jonathan Hopson·September 22, 2026
We were both dealing with the heat when we started talking about it—I managing an overheated kid and a sudden ice-cream run in Texas, George Shackelford locked in a Massachusetts office while a carpenter yelled about framing in the background.
Dallas/Ft WorthVisual Art

The Grand Calculus of Darkness: Winslow Homer’s Spatial and Conservation Mechanics at the MFAH

Jonathan Hopson·September 18, 2026
Watercolor is an unforgiving, fragile medium.
HoustonVisual Art

Bats, Swans & Bon Bons: Avant Chamber Ballet’s 15th season positions classical dance for modern audiences

Lindsey Wilson·September 18, 2026
Since its founding in 2012, Dallas’s Avant Chamber Ballet has commissioned more than 50 world-premiere ballets, including four full-length works, all from female or minority choreographers. Its 2026-27 season continues that tradition with world premieres from founding artistic director Katie Puder and former New York City ballet principal Jock Soto, but audiences can also expect plenty of classical ballet’s greatest hits, including The Nutcracker and the second act of Swan Lake. The season also features the most performance dates in the company’s 15-year history, all occurring at Moody Performance Hall.
Dallas/Ft WorthDance

When Choreographers Mind the Gap: Houston’s Favorite Dance Showcase Hits Forty

ADAM CASTAÑEDA·September 3, 2026
It’s been almost ten years since the heads of Dance Source Houston, the Bayou City’s diligent and committed resource organization for the local field of dance, hatched an inspired plan. Executive Director Mollie Miller and then Board President Stephanie Todd Wong recognized a need for performance opportunities for the city’s dance-makers, as well as production training so that these artists could utilize the newly opened Midtown Arts and Theater Center Houston (MATCH).
DanceHouston

Witnessing the Cycle: Gabriel Martinez at the Ismaili Center Houston

Jonathan Hopson·August 30, 2026
I step into the Ismaili Center—opened last December on the banks of Buffalo Bayou—and the space announces its intention immediately. The light is controlled. The quiet is profound, engineered so conversation is possible, so presence can be felt.
HoustonVisual Art

Anonymous No More: Dallas’s Vignette Art Fair 2026 Draws Attention to Women Artists in Texas

Nancy Zastudil·August 30, 2026
The news is out: Artist and activist Joyce Kozloff was one of the founding members of the Guerrilla Girls.
Dallas/Ft WorthVisual Art

Heavenly Bodies: Portraits of Saints, life, and faith from Colonial South America at the Meadows Museum

Kendall Morgan·August 23, 2026
Spectacles of Power and Faith draws from the Dallas-based Thoma Foundation’s extensive collection. In present-day Peru, Bolivia, Venezuela, and Ecuador, an ethos of painting emerged that captured the cultural complexity of South America in all its glory.
Dallas/Ft WorthVisual Art

The Finale and Future: Austin Symphony Orchestra’s Peter Bay Passes the Baton

Tara Munjee·August 12, 2026
ACTX spoke with Austin Symphony Orchestra’s lead conductor and musical director, Peter Bay, about his decision to “pass the baton” at the 2026-2027 season’s conclusion.
AustinMusic

The Haas Brothers: Cuteness as a Trojan Horse, and an Irreverent Austin Homecoming at the Blanton

Jonathan Hopson·August 12, 2026
How well do you know the Haas Brothers? Niki and Simon.
AustinVisual Art
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