The story of abstraction can’t be fully told without Sean Scully, according to the Irish-American painter who also sees himself as a renegade in the abstract movement.
Brett Ishida, a California transplant to Austin, is bringing her new Austin-based contemporary dance company ISHIDA to the stage for the company’s first evening-length production since the pandemic began.
A historic ice storm. The four seasons. Industrial sites colliding with the natural world. A farmer’s life and its links to the land. A glacier that melted away.
Leos Ensemble Theatre decided to change that. The Dallas-based company, which was founded in 2019 by dancer and performer Nick Leos, is becoming the first theater group in the U.S. (and perhaps even the world) to create a piece expressly for TikTok.
On view at San Antonio Museum of Art (SAMA) from June 11-Sept. 5, the expansive exhibition America’s Impressionism: Echoes of a Revolution, co-organized by the Brandywine River Museum of Art in Pennsylvania, the Dixon Gallery and Gardens in Tennessee, and SAMA, brings together 62 works from a wide range of public and private collections.
“These pitiful souls being tossed to and fro in the waves among you, their stories are mine as well,” decrees the magician Prospera in the Open Dance Project’s All the Devils are Here: A Tempest in the Galapagos.
The pandemic may have forced the cancellation of this year’s Fusebox Festival, one of the nation’s largest annual interdisciplinary performing arts festivals, but the Austin organization continues to present and nurture artists.
The dance company Pilobolus has many missions: to tell stories with the human form, to test the limits of human physicality, to explore the beauty and power of connected bodies.